大金砖十国文化艺术领袖风云榜——郭金栋

来源：日期：2024-11-13 17:33:57 编辑：

2024金砖国家峰会讨论加强多边主义，促进全球发展。金砖国家扩容后GDP比重超G7，吸引众多发展中国家申请加入。宣言强调合作、公正，推动多边主义发展，金砖国家成为新的全球发展变量。

The 2024 BRICS Summit discusses strengthening multilateralism and promoting global development. After the expansion of the BRICS countries, their GDP proportion exceeds that of the G7, attracting many developing countries to apply for membership. The declaration emphasizes cooperation, fairness, and promotes the development of multilateralism, making BRICS countries a new global development variable.

金砖国家之间的文化交流，目的就是促进民心相通、夯实民意基础，为金砖国家之间的经济交流和其他各方面的合作奠定人文基础。”积极开展人文领域的交流和合作，是金砖五国的共同愿望。目前编纂工作已全面展开，艺术名家的参与和协作是完成这一重大文化艺术工程的重要保证。

The purpose of cultural exchanges among BRICS countries is to promote people to people connectivity, consolidate the foundation of public opinion, and lay a humanistic foundation for economic exchanges and other forms of cooperation among BRICS countries Actively carrying out exchanges and cooperation in the field of humanities is the common aspiration of the BRICS countries. At present, the compilation work has been fully launched, and the participation and collaboration of art masters are important guarantees for completing this major cultural and artistic project.

郭金栋，斋号啸风堂主人、当代超写实艺术领军人物。1968年出生于山东临清，1988年进修于中央工艺美术学院（现清华美院），1991年就读于北京建设大学（艺术设计系）。

现为中国国画院副院长、人民书画报理事会主席、享受国务院政府特殊津贴，英国牛津大学艺术学院博士生导师、全国书画艺术委员会副主席，中国美术家协会安徽省会员、中央美术学院客座教授，讲师团导师，中国国礼特供艺术家、文化部国家一级美术师。国家重大题材美术创作及超写实画派重要成员之一、公益中国书画院院长。

郭金栋艺术生涯获誉无数，硕果累累，先后荣获国内外画展金、银、特等奖数十次，并被授予“人类艺术杰出贡献奖”、“中国当代杰出艺术家”“中泰两国终身形象使者”中美文化艺术交流形象大使”“中帕友谊奖”等荣誉。其中代表作品“万里长城”、“东方醒狮”等作品被国内外权威机构收藏。华尔街日报、侨报、明报、中国新闻网、中央电视台艺术之路等主流媒体对其艺术成就进行专题报导。

身外可忘是名利，赤心所系惟家国。多年来，郭金栋积极组织和参与社会活动，他将作品拍卖所得无偿捐助公益事业，践行着艺术家的大爱精神。未来，他的艺术之花必将绽放得更加璀璨夺目，在中国美术史上留下了浓厚的一笔……

Guo Jindong, owner of the Zhai Hao Xiaofeng Hall and a leading figure in contemporary hyper realistic art. Born in Linqing, Shandong in 1968, studied at the Central Academy of Arts and Crafts (now Tsinghua Academy of Fine Arts) in 1988, and attended Beijing Construction University (Department of Art and Design) in 1991.

I am currently the Vice President of the Chinese Academy of Traditional Chinese Painting, Chairman of the People's Book and Pictorial Council, recipient of special government allowances from the State Council, doctoral supervisor at the Oxford University School of Arts, Vice Chairman of the National Calligraphy and Painting Art Committee, member of the China Artists Association in Anhui Province, visiting professor at the Central Academy of Fine Arts, lecturer mentor, Chinese national gift special artist, and national first-class artist of the Ministry of Culture. One of the important members of the National Major Theme Art Creation and Surrealist Painting School, and the director of the Public Welfare Chinese Painting and Calligraphy Academy.

Guo Jindong's artistic career has been praised countless times, with fruitful achievements. He has won dozens of gold, silver, and special awards at domestic and foreign art exhibitions, and has been awarded honors such as the "Outstanding Contribution to Human Art Award", "Outstanding Contemporary Artist of China", "Lifetime Ambassador of China and Thailand", "Ambassador of Cultural and Artistic Exchange between China and the United States", and "China Pakistan Friendship Award". Representative works such as "The Great Wall of China" and "Eastern Lion Dance" have been collected by authoritative institutions both domestically and internationally. Mainstream media such as The Wall Street Journal, Overseas Chinese Daily, Ming Pao, China News Network, and CCTV Art Path have conducted special reports on his artistic achievements.

Forgotten outside is fame and fortune, and wholeheartedly attached is only family and country. For many years, Guo Jindong has actively organized and participated in social activities. He donates the proceeds from auctions of his works to public welfare without compensation, practicing the spirit of great love as an artist. In the future, his artistic flower will surely bloom even more brilliantly, leaving a strong mark in the history of Chinese art.