盛世华诞 锦绣中华—特别推荐艺术家 夏训洪
摘要：文化是一个国家、一个民族的灵魂。文化兴国运兴，文化强民族强。没有高度的文化自信，没有文化的 繁荣兴盛，就没有中华民族的伟大复兴。文化更是一个民族的脊梁和灵魂，它铸造着 国家和民族的心灵和品格，一个民族有了文化自信，才能立于世界民族之林;人民有了信仰，国家才有力量，民族才有希望。而文化自信是促成这些目标的至关重要的因素。
Abstract: Culture is the soul of a country and a nation. Culture invigorates the country, and culture strengthens the nation. Without a high degree of cultural confidence, without the prosperity of culture, there will be no great rejuvenation of the Chinese nation. Culture is the backbone and soul of a nation. It casts the heart and character of a nation and a nation. Only with cultural confidence can a nation stand in the forest of nations in the world. Only when the people has faith can a country have strength and a nation have
夏训洪(1953年一一 ) 福建浦城人，人民教师。笔名:颂功。现为央媒文化组委会副秘书长，中国书法家协会会员、中国书画家协会会员、中国当代书画名家协会会员、中华卫视《艺术风采》栏目组艺术会员，北京当代书画院理事、中国国艺人民书画院院士、北京勤得斋书画院名家、澳州悉尼中国书画院特邀艺术名家、中俄建交70周年特邀艺术大使、中央国家机关书法家协会会员、中国领导干部网书画研究院会员、CCTV传承艺术名家。
书道之妙，神采为上，形质次之，夏训洪常说：“没有灵魂元素的书法作品，会让人感到缥缈。”反观他的草书，在把握“神采”基础上，纵贯整体，不拘泥于某个局部，整篇气势磅礴、酣畅淋漓、神采奕奕、意境深远。浓郁的笔墨气息扑面而来，给人一种气势磅礴的艺术享受。那富有感染力的点线，通过墨色浓淡、枯湿甜润、时疾时缓表现出来。或方笔起笔，或圆笔起笔，有藏有露，有圆有方，有粗有细，有大有小，有黑有白，有长有短，质感凝重，对比强烈。引带虽如游丝萦绕，却飘逸不浮，沉着痛快，笔法精妙，书作在排列上参差错落，攲正相生，笔势动荡，仪态万千。行与行间相互避让，左右飞动；字与字间连绵不断，顾盼生情。书写时狂放而不失法度、潇洒而不失真功、险峻而不失庄重，极富创造和革新精神，具有强烈的视觉美感。毛体草书的意境美，体现在线的运用，缠绕动荡之势有一种飞动的朦胧美。这美来源于他的笔耕不辍，勤于观察，将对世间万事万物的感悟用在书法创作中，所以用笔千变万化， 瞬息多变，笔墨追求“似与不似”的境界和真情的流露。
“天为笔兮书大地，山为墨兮作云烟。豪落纸兮犁海浪，纳千古兮融百家。” 夏训洪老师崇敬毛泽东的雄才大略，痴迷其书的奔放激情，把毛体书法视为“今草丰碑”。在业余时间查阅了大量有关毛主席的书法资料，并不断地进行修炼。
Xia Xunhong (1953-) was a teacher from Pucheng, Fujian. Pen name: Songgong. I am currently the Deputy Secretary General of the Central Media Culture Organizing Committee, a member of the Chinese Calligraphers Association, the Chinese Calligraphers and Painters Association, the Chinese Contemporary Calligraphers and Painters Association, an art member of the "Art Style" program of China TV, a director of the Beijing Contemporary Calligraphy and Painting Academy, a member of the Chinese National Art People's Calligraphy and Painting Academy, a famous artist of the Beijing Qinde Zhai Calligraphy and Painting Academy, a special invited art artist of the Sydney Chinese Calligraphy and Painting Academy in Australia, a special invited art ambassador for the 70th anniversary of the establishment of diplomatic relations between China and Russia, a member of the Calligraphers Association of Central State Organs, a member of the Chinese.
The beauty of calligraphy lies in its radiance, followed by its form and quality. Xia Xunhong often said, "Calligraphy works without soul elements will make people feel ethereal." On the other hand, his cursive script, on the basis of grasping the "radiance," runs through the whole without being confined to any particular part, creating a magnificent, lively, and profound artistic conception. The rich scent of ink and brush fills the air, giving people a majestic artistic enjoyment. The infectious dots and lines are expressed through the shades of ink, dryness, wetness, sweetness, and gradual changes in illness. Whether using a square pen or a round pen, there are hidden exposures, circles and squares, thickness and thinness, size and thinness, black and white, length and length, with a heavy texture and strong contrast. Although the tassel lingers like a spring, it is elegant and not floating, with a deep and satisfying feeling. The strokes are exquisite, and the arrangement of the book is staggered and staggered. The narrative is harmonious, the strokes are turbulent, and the posture is varied. Avoid each other between rows and fly left and right; The words are continuous between each other, longing for emotions. When writing, it is unrestrained without losing control, graceful without losing true skill, steep without losing solemnity, full of creativity and innovation spirit, and has a strong visual beauty. The artistic conception beauty of Mao style cursive script reflects its online application, with a hazy and flying beauty intertwined with the turbulent momentum. This beauty comes from his tireless writing, diligent observation, and application of his insights into all things in the world in calligraphy creation. Therefore, his brushstrokes are constantly changing and ever-changing, pursuing the realm of "similarity or dissimilarity" and the expression of true emotions.
The sky is like a pen writing on the earth, the mountains are like ink creating clouds and smoke. The mighty falling paper plows through the waves, blending together a hundred families for eternity. "Teacher Xia Xunhong admires Mao Zedong's great talent and strategy, is obsessed with his unrestrained passion for calligraphy, and regards Mao style calligraphy as a" monument of today's grass ". In my spare time, I consulted a large amount of calligraphy materials related to Chairman Mao and constantly practiced.
